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Hip Hop Occupies: Rise & Decolonize May Day General Strike

[Julie C]

The general public witnessed the May 1st protest on the news, watching images of police and occupiers in the street. They read about the the people deploying Black Bloc tactics and smashed store windows downtown. They saw the clowns (literally) interviewed by news reporters. Yet, just a few feet away, the Seattle hip hop community held a peaceful protest full of speakers and entertainment. I already knew who to expect when I got there; members of 206Zulu, folks from the Youth Speaks camp, and of course, Julie C. 

In solidarity with International Worker’s Day and the Global General Strike, Hip Hop Occupies to Decolonize presented “Rise & Decolonize 2,” a showcase and rally at Westlake Park. From 9am to 4pm, artists, youth, families, and the broader Seattle community took the day off and come out for music, live art, dance, cypher sessions, and more in the spirit of resistance & Hip Hop.

[Sista Hailstorm]

The park was crackin with live music and dancing, even while the standoff took place a few feet away - some teenagers who sat in the street to block traffic. 

Sometimes it seems like everyone participates in the Occupy movement for their own reasons, that the movement isn’t unified. With the different groups out on the streets and everything happening simultaneously you can feel like you’re in the middle of chaos - voiceless and powerless to what is happening around you. 

What you see is everyone from all walks of life dealing with it in their own way. What the hip hop community has fought for goes way beyond the current occupy movement, but just like all the different people who came downtown to protest by either marching, dancing, singing, painting or vandalizing, hip hop would not be where it is today without the movement generations before us (which weren’t always so peaceful). 

Which gets me to thinking, maybe the occupy movement is more unified than we are able to realize right now. 

[Suntonio Bandanaz aka ASun]

Beyond breaking

Before Juse Boogie and Tim the Pitt of Massive Monkees started their impromptu presentation to to the kids at The Overlake School dance class, they asked if they had any questions for them first.

“Can you guys spin on your head?” was the first question. 

There’s no such thing as a stupid question. “Yes,” was the answer. “But breakdancing is more than just spinning on your head,” said Juse, and that’s when the kids got schooled in the art of dance. 

Not yet quite in high school, the teens had no idea that they were being taught the Six Step by two of the most seasoned breakdancers in the world. But Juse and Tim weren’t there to tell the kids about how cool they were. They didn’t have anything to prove, they just wanted to pass on the their perspective of what it means to be a dancer, a perspective they hope to preserve as future generations become exposed to the more commercialized side of breakdancing. 

In 2004 they won the World B-Boy Championships that took place in London. They represented Seattle around the globe and continued to work with the youth in their own community back home. This kind of mission is why former Seattle Mayor Greg Nickels proclaimed April 26 the official Massive Monkees Day in Seattle in 2004. In 2007 they won the Mayor’s Arts Award. 

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